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Abstract

In 2004, on the title page of my book On the Twelve Emperors of the Qing Dynasty, I penned the following words, “History is a mirror, and it is also an art. It serves as a reference, but more importantly, it offers appreciation”. Recently, my friend Mr. Yan Zhongyi remarked, “As all fields of science reach their highest levels of development, they inevitably transition into philosophy and art”. Philosophy delves into regularity, while art pursues truth, goodness, and beauty. Consequently, scientific research not only unravels regularities but also seeks the essence of truth, goodness, and beauty, aspiring to achieve the pinnacle of scientific perfection. In light of this insight, I shall commence my book with a discussion of the profound connection between the imperial kilns and myself.

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Notes

  1. 1.

    Translator’s Note: “Lecture Room” is a Chinese television program hosted by China Central Television, in which scholars from various disciplines are invited to provide lectures.

  2. 2.

    Translator’s Note: Fu, a traditional administrative division in China, refers to the larger prefectures in the Song dynasty.

  3. 3.

    Translator’s Note: fou is a kind of ancient earthen wine vessel in China.

  4. 4.

    Translator’s Note: Emperor Qin Shihuang (259-210 BC) was the founder of the Qin dynasty (221-207 BC) and the first emperor of a unified China.

  5. 5.

    Translator’s note: The book Xunzi was traditionally attributed to Xunkuang (also known as Xunzi, 310-235 BC), who was a Chinese Confucian philosopher and writer during the Warring States Period (475/403-221 BC).

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Correspondence to Chongnian Yan .

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Yan, C. (2024). Preface. In: A Brief History of Chinese Imperial Porcelain. Palgrave Macmillan, Singapore. https://doi.org/10.1007/978-981-97-4145-8_1

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  • DOI: https://doi.org/10.1007/978-981-97-4145-8_1

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  • Publisher Name: Palgrave Macmillan, Singapore

  • Print ISBN: 978-981-97-4144-1

  • Online ISBN: 978-981-97-4145-8

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