Abstract
After experiencing a brief period of rapid development during the Xuande reign, the imperial kilns of Jingdezhen witnessed a tumultuous era marked by dynastic changes, including the transitions from Zhengtong (1436–1449), Jingtai (1450–1457), Tianshun (1457–1464), and Chenghua (1465–1464). These political vicissitudes had a profound impact on the production of imperial porcelain. It was during the Chenghua period that the famed doucai (literally, “contrasted colors”) technique emerged, reaching its zenith in the creation of exquisite palace ceramics. In the circle of ceramics, there is a saying: “Chenghua-era porcelain stands out from others of the Ming; it is true of the Yongzheng-era pieces in the Qing”. The origins of doucai porcelain in the Chenghua reign can be traced back to the trials and tribulations faced by the unfortunate Crown Prince during this era.
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